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Steve has created both mini-soundtracks
and sound-effect designs for theater pieces, ranging from the dreamy
fantasy world of Ursula K. LeGuin's
Darkness
Box; to the modern angst of Martha Soukup's
The
Arbitrary Placement of Walls; to the cautionary sci-fi of Ray Bradbury's
The Veldt; and a
modern take on
Frankenstein.
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Steve is currently pursuing a degree in composition at the San Francisco Conservatory in the studio of
David Garner.
Chaconne for solo viola
(Morgan O'Shaughnessey, viola)
Song cycle: The Valley's Singing
Day (Laura Arthur, soprano; Ian Scarfe, piano; poetry--Robert Frost)
The Valley's Singing Day
The Oven Bird
The Road Not Taken
Fire & Ice
Dust of Snow
Window Tree
Acceptance
For orchestra:
coordinated universal time
(note--the volume is low on this one)
In 2002, Musikverlag
Doblinger published his piece for narrator and orchestra, The Legend of Daedalus
and Icarus.
(German
version of Daedalus and Icarus, performed by Salzburger Kammerphilharmonie,
October 2001)
From a trio for piano, cello, and clarinet:
first
movement--Allegro non troppo
second movement--Allegretto scherzando
An orchestral arrangement of Debussy's prelude
"La danse de Puck" |
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Vasco
(Jackie Parker, poetry and recitation)
Wichita Lineman--demo (Jimmy
Webb)
Untitled track
(with Danny Clay)
Orchestral scoring for a rock project by
Amy Meyers:
The Market (edited)
Spring
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