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Steve has created both mini-soundtracks
and sound-effect designs for theater pieces, ranging from the dreamy
fantasy world of Ursula K. LeGuin's
Darkness
Box; to the modern angst of Martha Soukup's
The
Arbitrary Placement of Walls; to the cautionary sci-fi of Ray Bradbury's
The Veldt; and a
modern take on
Frankenstein.
The Legend of Daedalus and Icarus
for narrator(s) and orchestra
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Steve is a graduate of the San Francisco Conservatory of Music, where he
studied with
David Garner.
chamber music
Village Dance for piano trio
(Yoo Jin Cho, violin; Juan Mejia, cello;
Ian Scarfe, piano)
Chaconne for solo viola
(Ivo Bokulic, viola)
Song cycle: The Valley's Singing
Day
for voice and piano
From a trio for piano, cello, and clarinet (MIDI):
first
movement--Allegro non troppo
second movement--Allegretto scherzando
Redbud Peeks
for soprano, clarinet, and piano
orchestral music
coordinated universal time
(live--
Symphony Parnassus,
Stephen Paulson, conductor)
coordinated universal time (MIDI)
(note--the volume is low on the MIDI version)
Fable of Fables
for voice and orchestra
(Laura Arthur, soprano;
Symphony Parnassus, Stephen Paulson, conductor; Nazim Hikmet, poetry;
Richard McKane, translation)
The Legend of Daedalus
and Icarus
for narrator(s) and orchestra
(German version, live, October 2001;
Salzburger
Kammerphilharmonie, Yoon K. Lee, conductor)
(English version--MIDI;
Jackie Parker, Dan
Wilson, Jeanette Harrison, narrators)
(published by Musikverlag
Doblinger)
An orchestral arrangement of Debussy's prelude
"La danse de Puck" (MIDI) |
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Vasco
(Jackie Parker, poetry and recitation;
Steve Kahn, all instruments)
Wichita Lineman--demo (Jimmy
Webb,
songwriter; Steve Kahn, all instruments)
Untitled track
(with Danny Clay)
Orchestral scoring for a rock project by
Amy Meyers:
The Market (edited)
Spring
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